All the oil paintings of James Ward

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ID	Image	Painting(From A to Z)	Details
81066		A horse in a landscape startled by lightning	Info from source: James WARD, (London 1769 - 1869 Cheshunt), A horse in a landscape startled by lightning, Oil on canvas, 30.5 x 26 cms cjr
45895		A Suffolk Punch	mk178 undatier oil on paper on linen 31.1x43.8cm
45924		Elevation	mk178 Oil undated on linen
32788		Gordale Scar	mk81 1812-14
22810		Gordale Scat,Yorkshire (mk22)	1811-1815 Oil on canvas,332 x 421 cm Bradford,Bradford Art Galleries and Museums
75609		Group portrait of John	English: Group portrait of John, Theophilus and Frances Levett, full-length, the younger two seated on a donkey, in a wooded landscape. Signed and dated, James Ward, RA (Royal Academy), 'Nov(ember) 1811' Painted by English painter James Ward (1769-1859) Date November 1811 cyf
73075		Hereford Bull with Sheep by a Haystack	"Hereford Bull with Sheep by a Haystack," oil on canvas, by the British painter and printmaker James Ward. 46 in. x 61.4 in. Undated. Courtesy of the National Archives, Government Art Collection. cjr
85103		James Ward	Oil on canvas, 30.5 x 26 cms cyf
94477		James Ward	1870 cjr
80164		John Levett Receiving Pheasant from Retriever on HIs Estate at Wychnor,	John Levett Receiving Pheasant from Retriever on HIs Estate at Wychnor, 1812. Oil on canvas. James Ward, Royal Academy. Painting is in the Paul Mellon Collection, Yale Center for British Art, Yale University, New Haven, Connecticut. cjr
84069		JohnLevett	Date 1812 cyf
28229		Napoleon's Horse,Marengo at Waterloo	1824 Oil on canvas 81.8 x 109.7 cm (32 1/4 x 43 1/4 in) Alnwick Castle Northumberland (mk63)
24207		Nonpareil (mk25)	1824
72305		Portrait of the Rev	Portrait of the Rev. Thomas Levett and Favourite Dogs, Cock-Shooting, 1811," oil on canvas, by the English artist James Ward, member of the Royal Academy. cjr
94478		The Levett Children	November 1811(1811-11) Medium oil cjr

James Ward
English Romantic Painter, 1769-1859 English painter and engraver. He was the most important animal painter of his generation. Many of his dynamic compositions depict horses, dogs or wild animals in agitated emotional states, the sense of movement being reinforced by vigorous brushwork and strong colours. With their sweeping landscapes and dramatic skies, his canvases epitomize Romanticism. Not content to excel merely as an animal painter, Ward also produced portraits, landscapes and genre and history paintings of varying quality.